A group of relatives gather at the mansion of their wealthy aunts not grannies to celebrate their birthdays. What a lovely bunch of people they are: A mistrusting lesbian and her beautiful lover; a cowardly husband and his wife and two bratty kids; a lecherous nephew who hits on the lesbian's lover; a truly repulsive child-hating priest; a man with a wife young enough to be his daughter; and, a bike-riding spinster. All these people have one thing in common:
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It stars a cast of giallo pros, it's directed by the man who made my favorite giallo film of all time TORSO - ; the majority of his films have never let me down and it begins with one of the most surreal dream sequences I have seen in quite a while. We also see a clock with no hands lying on the floor, as well as a close-up of a man's haunting and unusual deep-blue eyes. The dream ends with Jane dead, her stomach cut open and bloody, the ugly woman turning into a mannequin, as we then see a car's POV as it slams into a tree. Jane then wakes up and takes a shower in her bedclothes Giving us a great wet t-shirt shot of Fenech.
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While the trait theory of leadership has certainly regained popularity, its reemergence has not been accompanied by a corresponding increase in sophisticated conceptual frameworks. Focus on a small set of individual attributes such as "The Big Five" personality traits, to the neglect of cognitive abilities, motives, values, social skills, expertise, and problem-solving skills. Fail to consider patterns or integrations of multiple attributes. Do not distinguish between the leadership attributes that are generally not malleable over time and those that are shaped by, and bound to, situational influences. Do not consider how stable leader attributes account for the behavioral diversity necessary for effective leadership.